tag:blogger.com,1999:blog-716509980377809016.post6297458959473709130..comments2024-03-11T10:20:01.582-07:00Comments on The Rehearsal Studio: Little Rhyme, No ReasonStephen Smoliarhttp://www.blogger.com/profile/14689767135234237242noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-716509980377809016.post-84783615730289175232008-12-07T16:34:00.000-08:002008-12-07T16:34:00.000-08:00Yes, I should probably have made that clearer. Th...Yes, I should probably have made that clearer. There are a variety of stylistic differences between the overture and the Paris Venusberg ballet. The "aroma" of <I>Tristan</I> is probably the most obvious of them. (There is, of course, also the explanation that the ballet goes on as long as it does under the assumption that Paris wanted it that way.)Stephen Smoliarhttps://www.blogger.com/profile/14689767135234237242noreply@blogger.comtag:blogger.com,1999:blog-716509980377809016.post-86108770274027579712008-12-07T16:17:00.000-08:002008-12-07T16:17:00.000-08:00for what it's worth, it was the paris version of t...for what it's worth, it was the paris version of tanhauser, which was rewritten after tristan and isolde. <BR/><BR/>As you would notice by the giant tristan-like delayed resolution in the middle of the piece.Anonymousnoreply@blogger.com