Friday, May 26, 2023

SFO Announces 100th Anniversary Concert

1940s photograph of SFO founder Gaetano Merola conducting the SFO Orchestra (from the SFO Archives)

In addition to the three operas that San Francisco Opera (SFO) will present over the course of next month, there will be one final event to celebrate the Centennial Season. The Centennial Celebration concert, which launched the season this past September, will be complemented by a 100th Anniversary Concert, a musical account of SFO’s first century. The program will feature fifteen vocal soloists, the SFO Orchestra and Chorus, and three conductors.

Beginning with the conductors, Caroline H. Hume Music Director Eun Sun Kim will share the podium with former Music Director Donald Runnicles, and former Principal Guest Conductor Patrick Summers. The vocal soloists will be sopranos Karita Mattila, Ailyn Pérez, Patricia Racette, Nina Stemme, Heidi Stober, and Adela Zaharia, mezzo-sopranos Susan Graham and Daniela Mack, tenors Lawrence Brownlee, Michael Fabiano, Brandon Jovanovich, and Russell Thomas, baritones Lucas Meachem and Brian Mulligan, and bass-baritone Christian Van Horn. The current plan for the program (which is subject to change) is as follows:

  • Prelude from Die Meistersinger von Nürnberg (Richard Wagner); San Francisco Opera Orchestra; Eun Sun Kim, conductor
  • “Amour viens rendre à mon âme” from Orphée et Eurydice (Christoph Willibald Gluck); Daniela Mack; Donald Runnicles, conductor
  • “Pur ti miro” from L’Incoronazione di Poppea (Claudio Monteverdi); Heidi Stober and Susan Graham; Patrick Summers, conductor
  • “Odi il voto” from Ernani (Giuseppe Verdi); Russell Thomas; San Francisco Opera Chorus; Eun Sun Kim, conductor
  • “Pierrot’s Tanzlied” from Die tote Stadt (Erich Wolfgang Korngold); Lucas Meachem; Donald Runnicles, conductor
  • “Embroidery” aria from Peter Grimes (Benjamin Britten); Heidi Stober; Donald Runnicles, conductor
  • “Vicino a te” from Andrea Chénier (Umberto Giordano); Michael Fabiano and Ailyn Pérez; Eun Sun Kim, conductor
  • “Va, pensiero” from Nabucco (Giuseppe Verdi); San Francisco Opera Chorus; Patrick Summers, conductor
  • “Ch’ella mi creda” from La Fanciulla del West (Giacomo Puccini); Brandon Jovanovich; Eun Sun Kim, conductor
  • Act I finale from Tosca (Giacomo Puccini); Christian Van Horn; San Francisco Opera Chorus; Eun Sun Kim, conductor
  • “Entrance of the Guests” from Tannhäuser (Richard Wagner); San Francisco Opera Chorus; Donald Runnicles, conductor
  • “Batter my heart” from Doctor Atomic (John Adams); Brian Mulligan; Eun Sun Kim, conductor
  • “Co chvila” from Jenůfa (Leoš Janáček); Karita Mattila; Donald Runnicles, conductor
  • “Losing my mind” from Follies (Stephen Sondheim); Patricia Racette; Patrick Summers, conductor
  • “Ah, je veux vivre” from Roméo et Juliette (Charles Gounod); Adela Zaharia; Eun Sun Kim, conductor
  • “Ombra mai fu” from Serse (Xerxes) (George Frideric Handel); Susan Graham; Patrick Summers, conductor
  • “Prosti, nebesnoye sozdanye” from Pique Dame (Piotr Ilyich Tchaikovsky); Brandon Jovanovich; 
  • Donald Runnicles, conductor
  • “Là ci darem la mano” from Don Giovanni (Wolfgang Amadeus Mozart); Heidi Stober and Christian Van Horn; Eun Sun Kim, conductor
  • “Cessa di più resistere” from Il Barbiere di Siviglia (Gioachino Rossini); Lawrence Brownlee; San Francisco Opera Chorus; Patrick Summers, conductor
  • Liebestod from Tristan und Isolde (Richard Wagner); Nina Stemme; Donald Runnicles, conductor
  • “Ave Signor” from Mefistofele (Arrigo Boito); San Francisco Opera Chorus; Eun Sun Kim, conductor

The entire program should last approximately three hours with one intermission.

This concert will be given only one performance, beginning at 6 p.m. on Friday, June 16. Ticket prices range from $30 to $350; and, depending on location, there is a facility fee of either $2 or $3 per ticket. All tickets may be purchased in the outer lobby of the War Memorial Opera House at 301 Van Ness Avenue or by calling the Box Office at 415-864-3330. Box Office hours are 10 a.m.–5 p.m. on Monday and 10 a.m. to 6 p.m. on Tuesday through Saturday. In addition, there will be a livestream (no on-demand access) on the entire program; the charge will be $27.50. Web pages are available both for tickets to the Opera House and for the livestream. Finally, those going to the Opera House will have the option of purchasing dinner packages (which will be sold separately from the tickets for the performance). A single Web page has been created with hyperlinks for the different dinner options. Tickets may also again be purchased through the Box Office.

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