Showing posts with label Google. Show all posts
Showing posts with label Google. Show all posts

Sunday, January 12, 2025

“Dangerous” may be Worse Than “Stupid”

Back in November of 2013, I departed from my focus on the performing arts to reflect on the technology that allows me to do what I do. On November 13 of that year, I wrote an article entitled “Is Google Making the Next Generation Stupid?,” which was my own reflection of an article that Nicholas Carr had written for Atlantic Monthly entitled “Is Google Making Us Stupid?” While I doubt that things have improved very much since then, I fear that we are now up against a more critical question, which probably goes beyond the repercussions of Google searches: “Is the Internet making the world a more dangerous place?”

This question was motived by an article I read this morning on the Web site for The Guardian. To be fair, I know nothing about Ben Makuch, the author of this article, given the headline “Rise in vigilante attacks in US highlight growing online DIY terrorism resources.” As readers can probably expect, there is a connection to the Internet behind this threat. This was made explicit by The 5-Eyes, described in the article as “an intelligence sharing alliance between the spy and law enforcement agencies of Australia, Canada, New Zealand, the United Kingdom and the US.” The following paragraph extracted two sentences from the report to summarize the threat:

Violent extremist content is more accessible, more digestible and more impactful than ever before. Violent extremist individuals and groups share material which individuals often consume as part of their radicalisation process.

It goes without saying that such sharing is most easily achieved through electronic mail.

A classroom scene from the opera Innocence (photograph by Cory Weaver, courtesy of the San Francisco Opera)

Mind you, I would not be able to provide background material for the articles I write about music without the Internet as a resource. Furthermore, I would hate to be labeled as a “person of interest” just because I happened to write about Innocence, Kaija Saariaho’s opera about a “violent shooting incident, which took place at an international high school.” Nevertheless, I find it hard not to worry about the extent to which accounts of violence can beget further violence, rather than deter such activities.

If the Internet has become a dangerous place, then I fear that there is little more that I can to other than to be vigilant about the dangers. I suppose that my own efforts are guided by the immortal words of the architect Frank Lloyd Wright: “There is nothing more uncommon than common sense.” As a writer, I have no problems being guided by common sense; but none of us that put our efforts into writing can second-guess the reactions of our readers.

Monday, September 25, 2017

The Resurrection of HP Will Not Be Televised

I just finished Stephen Shankland’s CNET report of his interview with Ron Coughlin, who runs the Personal Systems Group at HP, the computer and printer business that split off from Hewlett-Packard in 2015. Coughlin believes that personal computers are still a hot item and that HP is bringing a plethora of innovations to that market. He may be right, but his optimism does not necessarily provide grounds for feeling bullish about HP.

The problem is one of a legacy that goes all the way back to the days when William Redington Hewlett and David Packard were still actively involved in their company’s future. Hewlett-Packard was originally a hardware company. It designed and produced an impressive variety of devices that changed the nature of work in the technology sector. However, these were devices that were designed by engineers for use by other engineers.

As a result, for example, the idea that a digital computer could be “personal” was never part of the HP mindset. The same could be said for the idea that the value in a personal computer had more to do with its software than with its hardware. Thus, in the early days of HP’s venture into digital technology, they may have set a world record for some of the most user-hostile interfaces on the market. Apparently, this legacy does not signify in Coughlin’s mindset. Do a text search on Shankland’s article; and you will discover that the word “interface” never appears.

For those of us for whom computers dominate over the working environment, the future is far from the rosy one that Coughlin anticipates. That is because the software we are using keeps getting progressively worse. This is not just a problem of protection against malware. It is also a matter of basic functionality.

For example, part of my work involves using a Web-based “B2B” (business-to-business) download service. Most downloads are large and are therefore delivered as compressed files that need to be “unzipped” after they have been downloaded. This past summer, many of us using this service discovered that we were getting defective ZIP files that could not be decompressed. Over the course of several months, some of us participated in a variety of test cases, none of which showed signs of much progress. Then, one day, my Inbox had a message that asked if I had tried using Chrome. Sure enough, the Chrome browser downloaded perfectly sound ZIP files while both Firefox and Safari were fumbling the ball!

More recently, I have been making heavier use of audio streaming. For this I need to explain that I use a MacBook Pro, whose lid is kept closed while I work from an HDMI feed to a wide-screen display with “entertainment quality” speakers. Many of my audio resources require Flash, which is software that I try to avoid as much as possible. As a result, I have a setup in which only Safari permits the use of Flash from the sources I need. After the latest Flash “upgrade” (scare quotes intended) I discovered that the audio was no longer coming from my display but, instead, was squeaking out from under the lid of the MacBook! This time I was prepared; and, sure enough, things worked properly once I used Chrome instead of Safari!

I suppose we could turn this into a story about how Google will take over the world. I suspect that Google may have the best talent pool of software engineers in the technology sector, but I do not think that this is necessarily a matter of malicious intent. Rather, I think it has to do with the fact that the basic skills behind writing, testing, and releasing software have all been condemned to SNAFU status. Furthermore, we are so dependent on the technology that, as E. M. Forster predicted in “The Machine Stops,” we basically self-adapt to accommodate every degradation of the services we require. This happens not only at our desks but also in the face-to-face purchases we make, whether on a checkout line or at a food truck.

As the title of Forster’s short story suggests, things eventually come to a head with an across-the-board failing of all service technologies. This does not lead to mass chaos, because people have been so numbed by their dependence that they cannot even think about what to do next. In terms of contemporary culture, Forster assumes a mass of aimless zombies, rather than an angry mob with torches and pitchforks! Was he successful in seeing the future, and are we it?

Friday, March 17, 2017

Google Responds with Half a Loaf

Readers may recall Tuesday's post documenting an account in which a post to an anti-Semitic blog received a page rank second only to a Wikipedia article. According to an article by Barbara Ortutay in the Business Report section of this mornings San Francisco Chronicle, Google plans to do something about this. They will deploy a new process under which those reviewing search results will see a flag classifying the article as "upsetting-offensive." Such a flag will also be taken into account in recalculating the ranking of the article.

It would appear that Google has also recognized that such flagging cannot, at least at present, be automated. So the search for articles that need to be flagged will be assigned to human being known as "quality raters." Admirable as this may be, all quality raters will be contractors. In other words Google does not see the work they do as significant enough to assign it to full-time staff. Mind you, we all know about how contractors have become "the new labor force;" but were quality of results is concerned, one would have thought that this would have been a core priority. If it does not, then just what is important to Google these days?

Tuesday, March 14, 2017

Did Tim Berners-Lee Trip Over his Own Feet?

Tim Berners-Lee is back in the news again. As in the past, it would appear that the combination of his reputation as “inventor of the Internet” (whatever that means) and his knighthood have led him to believe that he can pontificate about anything. Apparently it has only recently come to his attention that, if you create a medium through which anyone can say anything to anyone else, then everyone will. In other words it would appear that Berners-Lee has not yet grasped that phenomena such as fake news and hate speech are the inevitable products of what the Internet is and, for that matter, what Berners-Lee claims he wants it to be.

Back in November of 2013, this site took Berners-Lee to task on the basis of an article summary on the BBC News Web site that quoted him as saying that the “democratic nature” of the Internet was being threatened by a “growing tide of surveillance and censorship.” Apparently, it took him over two years to realize that, where information is concerned, an unregulated democracy has, by its very nature, tended to produce excess noise to the detriment of the signal in was intended to produce. If one wants to filter out the noise, then one must look for it (surveillance) and then design a filter for it (censorship). Before trying to unpack Berners-Lee’s failure to grasp this fundamental reality, it is worth recalling his own origins, as well as those of the Internet.

The important thing to remember is that Berners-Lee is a computer scientist whose skills led to his working as an independent contractor for CERN, a European research agency specializing in the challenging domain of particle physics. It subsequently became the home of the Large Hadron Collider, the primary instrument involved in the discovery of the so-called “God particle,” known more accurately as the “Higgs boson.” CERN is a perfect example of people with a wide diversity of cultural backgrounds coming together to work on shared problems. In that context it is easy to imagine Berners-Lee recognizing that communicating through a computer network could enable an even larger population to share their work and their results. He went about designing and implementing an infrastructure to enable that kind of world-wide sharing; and the result was the World Wide Web.

Berners-Lee then became an evangelist for making the Web available to as many people as possible. The result tends to reflect the joke about the Statue of Liberty in the Beyond the Fringe “Home Thoughts from Abroad” routine:
After they put up the Statue, some idealistic Johnny decided to put the words “Give me your tired, your poor, your huddled masses” on the base. Well … people did!
Berners-Lee’s mindset never seemed to recognize that his evangelism would attract more than scientists or that the Web would be used for anything other than doing more science. Even the pre-Internet Usenet had more common sense, thanks to which those responsible for regulating discussion groups came down like a ton of bricks on the very first effort to advertise through spamming.

According to a BBC News story that appeared over this past weekend, Berners-Lee finally seems to have recognized that an unregulated Web is not good for much of anything, particularly his dearly beloved science. For example, he would like to see regulation of “unethical” (those quote marks come from the BBC, not me) political advertising. Unfortunately, he thinks this can be done by putting “a fair level of data control back in the hands of the people,” failing to recognize that “the people” are the ones putting the data he abhors into the system in the first place.

Fortunately, there is at least one government out there with a more realistic model of regulation, and it will be interesting to see if they can put it into practice. In an article that showed up in today’s The New York Times, Melissa Eddy and Mark Scott reported that Heiko Maas, Minister of Justice and Consumer Protection in Germany, is proposing that the technology companies responsible for maintaining social networks, such as Facebook and Twitter, be fined for the presence of content that would constitute hate speech or fake news. In other words the only way you are going to get people to fix a problem is to penalize them for failure to do so, and whopping fines can make for a very effective penalty.

I applaud Maas’ effort, and I wish him well. However, whether we like it or not, this kind of regulation is likely to turn into a losing game of Whac-A-Mole. Shutting down one source can easily lead to another popping up, and probably more than one of them. The fact is that just trying to figure out how hate speech can propagate may be a major research problem. It is one thing for an extremist to find a sympathetic blog and then tell all of his friends about it, but what about the process of discovery itself?

Someone I know rather well tripped over this problem the other day. She was trying to track down information about Jews in Eastern Europe prior to the Holocaust. She typed a search query into Google and discovered a relevant Wikipedia page as the highest-ranked result. On the other hand the second-highest ranked result turned out to be an anti-Semitic blog being maintained on a Wordpress platform. In other words the Google search result was not only unreliable for her needs, it was also disturbingly offensive. Thus, regulating the content itself is definitely a step in the right direction; but, if we are really interested in regulating sources of hate speech or fake news, we have to think about not only those sources but also the ways in which they show up in search results.

Now we are in territory that, as some of Berners-Lee’s professors may have said on more than one occasion, is “beyond the scope of this course!”

Monday, January 9, 2017

Will the World Economic Forum Have a Whiskey Tango Foxtrot Moment?

The television channel for BBC World Service News has begun to run self-promoting advertisements about its coverage of this year’s annual meeting of the World Economic Forum in Davos. This year’s gathering will begin on January 17 and will last for four days, meaning that it will probably conclude around the time that Donald Trump will be taking the Oath of Office for President of the United States on the other side of the Atlantic Ocean. Those who have followed this site for several years known that it has pulled no punches in writing about this event in the past. In 2014 it went as far as to compare Davos with Prince Prospero’s fortified castle from Edgar Allan Poe’s tale “The Masque of the Red Death;” but Davos seems to be far more insulated from harsh (if not deadly) realities than Prospero’s castle. Even when the Forum invites the likes of Joe Stiglitz, it has been clear that the gulf between inviting a participant and paying attention to him/her continues to entail an unscalable width.

Still, one has to wonder how the rich and mighty have been so successful at maintaining their oblivion. Will their gambits continue to work in an age when Great Britain voted to secede from the European Union and the United States voted Trump to succeed Barack Obama as President of the United States? Think of the mileage the Brexit leader Michael Gove got out of his declaration that his followers “have had enough of experts.”


Davos has traditionally been the venue in which the rich and mighty get to drink from the deep pool of expertise and then go forth with their policies refreshed. The reality, however, it that, being all-too-human, they only listen to observations that reinforce opinions and strategies that they already have, which is why someone like Stiglitz can only survive by realizing that he is fighting a losing battle.

So the question to ask is whether or not those “wise men of Davos” can sustain a Whiskey Tango Foxtrot moment and recognize why so many people around the world chose to celebrate New Year’s Eve with the motto, “Good riddance, 2016?” Do they view Gove and Trump as nothing more than “outlier” points on whatever multidimensional landscape currently feeds their econometric models? Alternatively, has the “echo chamber” effect of social media combined with fallacious attempts to extract knowledge from Google snippets so numbed their capacity for decision-making that they do not even realize that the “wise men” epithet can only be read sarcastically? My guess is that Davos will continue to provide the cloud of ignorance that has nurtured its denizens for many years. The raison d’être behind the venue’s isolation may well be that it supports deep thinking by insulating attendees from the hassles of day-to-day life; but history has taught us that it is just another echo chamber where world leaders in both business and politics can reassure each other that they are all making wise decisions without worrying about how well those decisions mesh with down-to-earth reality.

Tuesday, January 3, 2017

Hearing, Listening, and Ducks: Tracking Down the Source

Yesterday I wrote about my frustration with Google in trying to track down the source of an often cited quote by Igor Stravinsky:
To listen is an effort, and just to hear is no merit. A duck hears also.
This morning it occurred to be that a source of that frustration may have been my decision to use Google, rather than Google Scholar; but it turned out that this purported “scholarly tool” was even less useful than “mainstream” Google. As a result, my only recourse was to follow through on the promise I made to go over to the San Francisco Public Library (SFPL) in search of Stephen Walsh’s book, Stravinsky: The Second Exile: France and America, 1934–1971. As is frequently the case with scholarship (at least as I was trained to practice it, realizing that it may well be pretty much a lost art by now), this turned out to be a good-news-bad-news affair. Fortunately, the good news significantly outweighed the bad.

Before getting into the specifics, however, I need to observe that being directed to Walsh’s book turned out to be a matter of dumb luck. For those who did not follow yesterday’s narrative, I only learned about it when I added “Craft” to the search keys for the online SFPL catalog, assuming that the text came from one of the many conversations that Stravinsky had with Robert Craft that were subsequently transcribed and published. In fact Craft had nothing to do in this particular case; but, because Walsh’s book is so thorough, Craft’s name appears in it with great frequency!

The text actually came about thanks to Deborah Ishlon, publicity director for Columbia Records. Columbia saw Stravinsky as a “property” and was determined to have him direct, or at least supervise, the recording of all of his compositions. This resulted in a fancy box of vinyls entitled Igor Stravinsky 1882–1971: The Edition (a rather arrogant subtitle, when you think of it, particularly since it was far from complete), which eventually found its way to a 22-CD collection. This was followed in October of 2015 by a 57-CD box set entitled Igor Stravinsky: The Complete Columbia Album Collection. Both of these were notorious for prioritizing the visual over the auditory; and there have been sources that have suggested that Columbia’s treatment of Stravinsky was pretty much on the same level as how the label handled Thelonious Monk … a road paved with good intentions that led you-know-where!

The good news was that Ishlon was also interested in capturing Stravinsky’s thoughts about making music. Thus, according to Walsh, she ended up tape recording a conversation of her own with Stravinsky (without any appearance of Robert Craft). Walsh observed that Stravinsky probably informed Ishlon in advance of the questions he wanted to answer. Nevertheless, Walsh was struck that the text consisted entirely of Stravinsky speaking English, in contrast to the Poetics of Music lectures he had given at Harvard, which had to be translated.

According to the footnote that Walsh provided, the transcript of Stravinsky’s encounter with Ishlon now resides at the Paul Sacher Stiftung (foundation) in Basle. It is unclear just how long this document is, but Walsh’s book reproduces six paragraphs. These are worth reading in their entirety, at least for my own benefit, if not for the curiosity of others:
To be a good listener you must acquire a musical culture, as in literature. You must be familiar with the history and development of music, you must listen. The person with the subscription ticket for concerts, he is not necessarily a musically cultured person. He is musical only because the music is performed in front of him. To receive music you have to open the ears and wait, not for Godot, but for the music; you must feel that it is something you need. Some let the ear be present and they make no effort to understand. To listen is an effort, and just to hear is no merit. A duck hears also.

The larger the audience, the worse. I have never attached much importance to the collective mind and collective opinion. You can imagine what collective opinion looks like. Especially in America, they like to speak and work with masses. But music is not a moral activity, to render the masses more happy. Music cannot deal with such things. Music never was for the masses. I am not against masses. But please do not confuse the value of the music which is addressed from ear to ear with the value of music addressed from one ear to a million ears. That doesn’t mean for millions, but for each of the millions. Don’t make the mistake of merely multiplying.

No audiences are good anywhere, but the major level, the best musical level, is that of the Germans. They have a higher level of listeners because of their musical history and musical culture. You can think how it was in the seventeenth and eighteenth centuries. The people who listened to music were much more learned; music was for them a language which they knew well. They knew not only by passive listening but by active playing. Everybody played—harpsichords, organs, flutes, violins. They had the habit of music played with their own hands, not only by ears. Now we hear music by the gramophone. This gives maybe more people a connection with music, but the result is not the same because the passive is not the active.

Accustomcy to music is a fact with which we have to count. We think that very difficult works like all the last works of Beethoven are better understood now. No, people are simply more accustomed to them. It isn’t that they understand better. People are not shocked by dissonances. Otherwise, why should we write them? And shocking really means striking. To be merely shocking is vulgar. It could not be the legal goal merely to be shocking. Music should be striking.

A composer thinks about the audience, but not primarily. If you think about audience, you don’t think about your work. You think about a reaction which will come from certain things. If the audience is yourself, that is quite different. To be yourself the audience is difficult; it is difficult to multiply yourself. To become an audience by imaginary multiplication does not give you new value.

Where is music going? How can we see the direction? Even going very high we can see very little. The higher we go, the less we see, because we are far away. If we are very close we see only a part of the mountain. We can judge about some facts. But to draw a conclusion is another thing. We can never be absolutely right.
That pretty much covers the good news side of the day’s efforts.

However, Walsh’s footnote also specified that a “substantial excerpt” of this text was included in Memories and Commentaries, a book published by Faber and Faber in 2002 that lists both Stravinsky and Craft as authors (in that order). This is basically a “greatest hits” volume of material that had first appeared in the five books that Craft compiled based on his conversations with Stravinsky: Conversations with Igor Stravinsky (1958), Memories and Commentaries (1960), Expositions and Developments (1962), Dialogues (1982), and Themes and Conclusion (1972). Note that the title Memories and Commentaries appears twice, each identified by a different abbreviation in Walsh’s bibliography. The abbreviation in Walsh’s footnote refers to the 2002 edition, but the page number he provides makes no sense. Unfortunately, that was the volume I found on the shelf at the San Francisco Public Library. I now have the card catalog number for the 1960 volume and will have to make another trip to find it (hopefully without having to walk through the rain)! Meanwhile, having the larger body of text that was excerpted for inclusion in Memories and Commentaries is definitely a step in the right direction!

Monday, January 2, 2017

Post-Truth Invades My Turf

It has been a while since I went on a rant about Jonah Lehrer. The last time I indulged was when I decided to take on an excerpt from his book Imagine: How Creativity Works. The result was a post to this site entitled  Performing Precise Research with Blunt Instruments.”

I suppose that one of the symptoms of the post-truth era is that you cannot keep a sloppy researcher down. This afternoon I found myself reading the “Igor Stravinsky” chapter from Lehrer’s more recent book, Proust was a Neuroscientist. This turned out to include an analysis [sic] of Stravinsky’s score for the ballet “The Rite of Spring;” and, by the second page of the chapter, I was already fuming over the inaccuracies and misconceptions in Lehrer’s efforts to try to describe the riot that took place when this ballet was first performed. His basic point was that, in the due course of time, mind usually figures out how to make sense of what first strikes it as disturbing noise; but Stravinsky himself made that point much better in his Poetics of Music lecture. (Lehrer even quotes a significant excerpt from that lecture. He credits Stravinsky but neglects to mention the source.)

Truth be told, however, I am less annoyed with Lehrer than I am with Google. This morning I was trying to track down the source of a Stravinsky comment that I have frequently cited:
To listen is an effort, and just to hear is no merit. A duck hears also.
Basically, Google kept pointing me at Web pages that were full of clever quotations, none of which offered up anything about source (or, for that matter, context). A PDF file of Lehrer’s chapter was one of the few search hits that promised to provide useful background. However, as may be guessed from the above, Lehrer was no better at crediting the “duck” source than he was in acknowledging Poetics of Music.

Eventually I realized that the source could well have been one of Stravinsky’s conversations with Robert Craft. So adding Craft to the Google search got me to Stephen Walsh’s book, Stravinsky: The Second Exile: France and America, 1934–1971. An Amazon search got me to just the right page, which provided far more context for those sentences than I had dared imagine. Unfortunately, while I could get the chapter number and the footnote number, I could not read the footnote itself. (Thanks, Amazon!) Fortunately, the book is in the San Francisco Public Library; so I should be able to settle the source question tomorrow morning!

Friday, September 16, 2016

A Must-Read for the Election Year

I have long believed that you learn more about the world by tracking who is advertising what than from any of the more conventional sources of polls and analyses. It is therefore worth noting that the current (September 29) issue of The New York Review has a full-page advertisement placed by Princeton University Press. That, in itself, is not unusual for this particular periodical; but only one book is being advertised, Harry G. Frankfurt's On Bullshit. For those with weakened memories (perhaps in the manner Nicolas Carr discussed when arguing that Google is making us stupid), following the hyperlink on the book's title will reveal that it first appeared in January of 2005 and quickly rose to the top of the bestseller list maintained by The New York Times. The only thing that suggests that this is a recent advertisement, rather than a time warp going back over a decade, is the note at the bottom that this title is being marketed as an e-book.

Larger that the image of the book itself, the ad presents a single quote from the text:
Bullshit is a greater enemy of truth than lies are.
This is clearly a message for today. Princeton University Press has decided to use advertising as a means of entering the discourse over the coming election. The only problem is that they are preaching to the choir. Indeed, however penetrating that single sentence may be, its association with Princeton University Press will probably blunt its impact where its lesson is most needed. Nevertheless, when we consider what we must now endure in what passes for news about the election campaign, it is nice to read such a refreshing now that we no longer have Stephen Colbert reminding us about truthiness!

Thursday, February 11, 2016

It's Not Just Infrastructure!

Elizabeth Drew's latest article for The New York Review of Books, "A Country Breaking Down," is a must-read piece, even for those who are already aware of the deterioration of infrastructure across the United States. As a writer whose primary domain is politics, Drew pulls no punches when it comes to presenting that deterioration as a consequence of a governmental system that, for all intents and purposes, is broken with little hope of repair in sight. (Even the supposedly neutral Judiciary branch has gone down the tubes as a result of the Supreme Court's preemptive strike against climate-control efforts.)

Nevertheless, the infrastructure problem is not just one of physical deterioration. It also involves the extent to which our government has decimated the public education system. The point is that the repair of infrastructure can only come about from the skills of workers who know how to repair them. While technology has improved the quality of the tools that can be used, it carries the corollary that skills must now be mental, as well as physical. Furthermore, it means that those involved with repairing the infrastructure need to be skilled managers of information regardless of the physical equipment they will be expected to operate.

This is where Nicholas Carr's chicken about Google making us stupid comes home to roost in full force. As I have previously observed, Google has made us, at the very least, downright lazy when it comes to reading and comprehending, simply because (and this is one of Carr's points), Google "predigests" content to make its search capability more efficient for users. The result is that many workers, desk workers as well as physical workers, understand the world only through how it is seen through some form of computer-based display. I was painfully aware of this yesterday when I discovered that the USPS Call Center could not tell me where a package that had been late in delivery was, simply because the Call Center agent's computer did not have access to that information. (It did not even have access to the location of postal facilities in San Francisco.) Until we can restore a work force that is capable of the most rudimentary forms of thinking through problems, neither project budgets nor an influx of powerful tools of all sizes will get us very far in restoring our country's infrastructure.

Friday, October 23, 2015

Are Things Looking Up for Bing?

I had mixed feeling after reading Mary Jo Foley's "Bing finally shows a profit" story on CNET this morning. The bottom line appears to be that Bing is finally attracting more eyeballs because other Microsoft software is pushing them there. There is nothing unfair about this practice; but it will not necessarily turn "Bing" into a verb of its own the way "Google" currently is.

Meanwhile, I was more than a little amused by the graphic attached to this article. It suggests that the Bing home page has a search window superimposed on a photograph of a meditation labyrinth (perhaps the labyrinth located here in San Francisco in the sanctuary of Grace Cathedral). The thing about any labyrinth is that going through it almost always takes a lot of time, and the duration can be even longer due to the risk of getting lost. Is that the sort of visual metaphor you want for a search engine?

Monday, September 14, 2015

Is Eric Schmidt the Donald Trump of Technology?

There was a time when I could always count on Eric Schmidt (now Executive Chairman of Alphabet, the corporation formerly known as Google) to get my dander up every time he made a public statement. However, I see that the last time I had such a reaction is more than a year ago; and I was kind of thankful that he was finally allowing me more time to concentrate on my interest in the performance of music. This weekend, however, Schmidt was at it again, using the BBC News Web site as his bully pulpit for a muddled sermon about artificial intelligence that betrayed just how much the use of that noun "intelligence" is little more than a con job.

This morning, writing for CNET News, Lance Whitney decided to focus of Schmidt's interest in music recommendation and his accusation that Apple employs "elite tastemakers." As usual, Schmidt offered up a flamboyant display of his own ignorance. Anyone who still believes that the Internet is involved in anything other than efficient marketing must be under the spell of some pernicious Kool-Aid. Whether it involves ranking search results (not to mention displaying those results in a frame of advertising links) or making recommendations to "music consumers" (not to be confused with those who actually take the time to listen to music), the game is never about predicting future trends, as Schmidt seems to think. The fundamental premise of marketing is that consumers are sheep, and all they need is a sheepdog to follow. What this means is that recommendation need involve little more than what everyone is consuming now, rather than what they are likely to be consuming in the future. When a trend starts to form, no matter for what reason, technology can amplify it; and this basically makes for a larger body of happy consumers (not to mention the performer involved in the trend). This is not so much rocket science as freshman statistics, and Schmidt probably knows this full well as it applies to the core competency behind Google.

What is more interesting than whether or not Schmidt "gets" any concepts involved "knowledge-based" technology is that he seems to have latched on to learning the rhetorical style of Donald Trump. Having seen how Trump has managed to garner so much attention by saying so many outrageous (not to mention inconsistent) things, it would appear the Schmidt has decided to get in on that game. Could it be that his BBC gig was little more than a rehearsal for a desired appearance on Fox News?

Friday, June 26, 2015

When Robot Cars Meet

It was going to happen sooner or later. Two autonomous vehicles would find themselves on the same road at the same time. Paul Lienert documented the encounter is a story for Reuters. What made it interesting was that the two cars came from different research laboratories. One was from Google, and the other was from Delphi Automotive. The Director of Delphi's Silicon Valley laboratory, John Absmeier, was in the latter vehicle.

Liner described the encounter as follows:
As the Delphi vehicle prepared to change lanes, a Google self-driving prototype - a Lexus RX400h crossover fitted with similar hardware and software - cut off the Audi, forcing it to abort the lane change, Absmeier said. 
The Delphi car "took appropriate action," according to Absmeier.
I like the way Absmeier was not very specific about what he meant by "appropriate." However, I have now made a decision for myself. The only automated car I'm going to get in is one that has a Dalek at the wheel!

Wednesday, June 3, 2015

Thankful for Ligeti Fans

I must confess that I have been pleasantly surprised to have Google Analytics inform me of just how popular my report for my national site on Examiner.com on the interactive Web site for the piano music of György Ligeti was. It has been some time since I had an opportunity to write a review about technology, rather than the music being delivered by that technology. In this case I felt that I was covering a relevant part of the story that had been neglected by The New York Times, even though the Times had relegated it to a post on their ArtsBeat blog. In cases like these, the delivery technology matters as much as the content. Perhaps it matters even more. If the technology is poor, the content may as well be a tree falling in the forest with no one to hear it. Apparently, I managed to attract the attention of a healthy chuck of readers who agree!

Thursday, April 2, 2015

Rating the Freshness of Food Purchases

I have to say that I have been relatively pleased with the alliance formed between KGO-TV (the ABC affiliate for the Bay Area) and Consumer Reports, particularly since the latter seems to have dropped the "lifetime" subscription as a reward for a donation I made many decades ago (reminding me a bit of Monty Python and the Holy Grail). Nevertheless, I have always been skeptical about Consumer Reports articles about food and nutrition, since they would often base their findings on attributes that different from the criteria stressed by other concerned organizations, such as the Center for Science in the Public Interest. Therefore, I have to question the value of today's report on the quality of fresh produce at different outlets. Regardless of the criteria behind the evaluations, the entire path that brings an item of produce to a customer's shopping bag is long, involved, and totally local. Thus, I have to wonder if, when a particular store is listed in operating out of a large number of states, the resulting rating is an averaging over all of those states or the result of examining only a few (or even one) of them. Even more problematic is that the ratings may have depended in when the outlets were evaluated, since it is not hard to imagine conditions changing radically from one week (or day) to the next.

These days my biggest concerns with inventory, fresh or processed, is how decisions are made. It is not hard to imagine that the large chains now relegate all such decisions to software. They all have had problems making ends meet since the economic downturn, meaning that they have all had to downsize, meaning that they probably let go of a good deal of "expert knowledge," letting some fast-talking consultant convince them that the knowledge would be "preserved" in the software. Indeed, I think we all have cause for concern that the expertise of a human evaluator may be out of the loop for just about any purchase of food made anywhere, with the possible exception of farmers' markets. Furthermore, I suspect that Google-informed consumers have less intuitive knowledge about when the food they buy may be contaminated or just spoiled. The conspiracy theorist in me wonders whether this all amounts to a skillfully calculated plot to "reduce the surplus population!"

Saturday, March 28, 2015

The Best and the Brightest May Not Be

Yesterday afternoon Tracy Seipel put up an article on the Web site for the San Jose Mercury News reporting that Stanford University is investigating allegations of cheating. This was apparently announced by University Provost John Etchemendy last Tuesday, but I assume that Seipel article was delayed to allow time to research conditions at other schools. Sure enough, the article also provides data points for Dartmouth College, the University of North Carolina, and Harvard University. It also includes an account of a study by a Stanford Professor of Statistics showing that between 40% and 86% of students reported having cheated while at college. Personally, I find that a rather wide window for a statistical inference; but there may still be cause to believe that something is rotten in the groves of academe.

Two Etchemendy quotes are worth considering:
In violating academic integrity, they are cheating themselves of the very core of our mission -- the process of learning and discovery -- as well as risking severe consequences.

But with the ease of technology and widespread sharing that is now part of a collaborative culture, students need to recognize and be reminded that it is dishonest to appropriate the work of others.
Regarding the first, I can only repeat what I have previously observed, that ours has become a culture that no longer includes the word "consequences" in its working vocabulary. As to the second, I would argue that technology has not fostered a "collaborative culture." Rather, it has fostered a culture of appropriation. This is a culture that involves little more than instant gratification for the individual. It used to be that begging, borrowing, and stealing were the alternatives to hard work in achieving such gratification. Now we can add searching with Google to the list, since the prevailing mantra seems to be that it is not stealing if you can find it on the Internet.

As a sidebar I have to say that reading Etchemendy's name tweaked some memories, but I could not bring them into focus. Fortunately, Wikipedia came to my rescue. His entry there reminded me that, with Jon Barwise (who died in 2000), he wrote the book, The Liar: An Essay in Truth and Circularity. That seems to color the current situation with just the right shade of irony.

Thursday, March 19, 2015

Service Providers that Don't

As a followup to yesterday's post about reality-checking innovation, I feel it worth noting that the problem goes beyond the invention of artifacts. Yes, we are drowning in innovative artifacts, all of which are developed to realizes scenarios about how much better things will be when they work, as if the failure of any mere artifact was not an option. However, things are no better in the service sector, possibly because prevailing thinking (such as IBM's effort to declare and then study "service science") seems to have gotten hooked on trying to reduce service to a product. However, Google does not help you find which shelf has the eye drops at your local pharmacy; and, even automatic checkout systems (like the one at Safeway) need a human to see to what happens when human behavior does not meet the expectation of the machine. Similarly, one of the channels on your cable system does not black out all by itself: A machine may implement breaking the connection, but it is responding to some policy decision (or, perhaps, the refusal of the service provider to accept the terms proposed by a particular channel).

These are not consequences of what happens when the technology breaks. They are "corollary events" that arise because, no matter how many machines there are, we are still part of a sector of people inhabiting the world. As people we are consumers of both products and services. The providers may wish that they would not have to deal with our all-too-human frailties, but they seem to have decided that denial is a better strategy than coping.

Still, there is a lesson to be learned here. Don't waste your time raging against the machine. Find out (perhaps with the help of one or more machines) who are the people behind the machine. They are the ones who should feel your rage!

Sunday, March 8, 2015

Do My Readers Share My Tastes?

While I try very hard (even if I do not always succeed) to be equally fair to all styles of making music, I am inevitably pressed in conversation to name my preferences. These days I fall back on a simple formula: Anything before 1750 or after 1950. This morning's consultation of Google Analytics seems to suggest that the readership of my articles reflects that formula. The top item on my national site is a report of the latest uploads of videos from the San Francisco early music group Voices of Music. This is followed quite closely (at least in terms of statistical significance) by a report on two new albums of the piano music of Philip Glass that will be released later in the coming week. Needless to say, I did not hide my enthusiasm for writing either of these pieces; but I was pleased to see that such enthusiasm may have been infectious!

Friday, February 13, 2015

Swimming in Repertoire

One of the unforeseen consequences of my having made the move from IT research into writing about music is that I seem to have built up a voracious appetite for repertoire. As I learned from reading Leonard Slatkin's memoir, Conducting Business: Unveiling the Mystery Behind the Maestro, such activity is one of the cornerstones of a conservatory education, at least at places like Juilliard, which Slatkin attended. It presumes that a comprehensive knowledge of music requires the broadest possible account of what has been documented, preferably coupled with devoting time to both recordings and performances to account for what has been made from those documents.

The good news is that I can pursue this activity through both attending as many performances as my schedule (and personal endurance) will allow and following up on opportunities to write about recordings. As of the beginning of March, I shall have been writing for Examiner.com for six years. That was preceded by building up my writing chops through several years of blogging, initially casual and progressively more and more serious. I have thus been evolving out of the state of a "passive consumer" for about a decade, perhaps to the point that repertoire now constitutes the medium of my existence, rather the way in which water does for a fish.

Every now and then someone will ask me how I retain it all. The fact is that I don't; and, at my advanced age, I am less and less likely to do so as time passes. I sometimes joke that I now depend on Google when my memory is failing, meaning that I write as much as I can "into" Examiner.com simply to make sure that Google will help me when I need it.

On the other hand I still make it a point not to take notes during a performance. Paying attention to writing down something means you are not paying attention to your auditory channels, and I simply will not abide by that latter option. Besides, human memory is not a file cabinet. It is an ongoing process of recollection. Just looking at a printed p program seems to be enough to set the wheels of that process in motion. What it yields provides the substance of what I write, and anything that does not emerge from that process was probably not worth writing about anyway.

I thus find myself in a somewhat complex and possibly tenuous relationship with both knowledge and memory. Exercise is as fundamental to maintaining that relationship as physical exercise is in maintaining the health and fitness of my body. (Because the latter is not particularly demanding on mind, I often use it as an occasion to begin to rehearse the thoughts that will find their way into writing.)

Does this protect me against lapses of memory when I need to recall something? Not at all. However, I think it does help me to sharpen my skills as a writer, even when mind is not always up to summoning up the specific memories I need or want.

Will I be able to keep this up indefinitely? I have no idea. Nevertheless, back when I was writing dance reviews as a student, I got to know Kathleen Eaton Cannell, who wrote for The Christian Science Monitor. She kept at it to the very end. One night she wrote up the performance that she had just attended, went to bed, and died peacefully in her sleep.

Tuesday, February 10, 2015

Ask Your Doctor if Google is Right for You!

According to an article by Lance Whitney on CNET this morning, Google is now using is Knowledge Graph side panel to show more "relevant medical facts" in response to queries on medical topics. I was skeptical about Knowledge Graph when it was launched and have not paid very much attention to it. My bottom line was that Google was taking a rather naïve approach to semantics, which worked when it worked and did not matter very much when it did not. While all parties involved make it clear that Google is no substitute for consulting a physician, I am sure those guys know as well as anyone else how badly medical care for the general public has deteriorated. Many people are likely to take an any-port-in-a-storm attitude towards Google, even if the port happens to be accessible only through a very hazardous passage.

Actually, I am not even sure how well this new toy actually works. I decided to draw upon a recent consultation I had with a "real" doctor. I started typing "Am I still allergic;" and I was pleased to see that "am I still allergic to penicillin" was offered as a completion. However, there was no Knowledge Graph on the results page. Furthermore, as is the case with every Google search, there was an advertising link preceding all search results.

This reminded me of John Oliver's return to HBO this week. His extended piece was on the dangers of intimate relations between drug companies and physicians. Anyone who watches television knows the extent to which the pharmaceutical industry now dominates commercial time, all with the necessary punch line "Ask your doctor." Oliver's point is that, due to the ways in which the industry influences the doctors, you have to be very careful just what you ask your doctor and how you interpret what (s)he says. Since advertising is still Google's primary revenue stream, can we really expect "knowledge" from Google search results (with or without that Knowledge Graph); or will be even more vulnerable to corporate interference than we are when actually consulting a physician?

Sunday, December 21, 2014

Taking my own Medicine

At the beginning of this month, I wrote a piece on my national side for Examiner.com entitled "Should a concert ticket come with a social contract?" I had been struck by the amount of attention the London press had given to Kyung-Wha Chung publicly taking the parents of a coughing child to task during her recital at London’s Royal Festival Hall, an incident that, like Chung's return to the concert stage, received almost no attention on this side of the pond. If I am to believe Google Analytics, then this was one of those articles that received almost no attention. However, because just about everyone who takes listening to music seriously has had to share a concert hall with others who are not so serious and choose to be audible about it, this was one of those pieces I had to write just to get my own bad vibes out of my system.

My point was that, while I had grown up learning, mostly from my parents, that there was such a things as proper behavior at a concert, that world I had grown up in had long gone. The idea that there should be proper behavior at a concert was as alien as the ideal that there should be some standard of etiquette behind writing anything that would find its way into the Internet or, for that matter, walking down the street with some awareness of the presence of others. I could only conclude that those of us going to concerts to listen had to accept the fact that learning how to focus was part of the package and that any inconsiderate behavior we encountered should be regarded as motivation to hone the sharpness of our focal attention.

As fate would have it, my precept was put to the test last night. Without going into detail, I was in a setting where I had a seat that would have been excellent had it not been in front of a very restless child who really did not want to be there. A quick glance made it clear that the parent was aware of the problem, which is why my focal energies had to be concentrated only on blocking out undesirable sounds, rather than contending with having the back of my seat kicked. For what it was worth, the performance itself did much to help me with my focus; and, in the grand scheme of things, I have to admit that I have been in far more unpleasant situations. On the other hand, this was also an occasion at which I was haunted by my own words; and I guess I am happy that they had the proper effect on me.